Toy story 3 movie8/2/2023 After an unfortunate mix-up, the toys - particularly Jessie ( Joan Cusack) - believe it's for the best if they jump into the donation box for Sunnyside Daycare. Woody ( Tom Hanks), Buzz Lightyear ( Tim Allen), and the rest of Andy's favorite toys have survived yard sale after yard sale, but now the best they can hope for is a one-way ticket to the attic. In TOY STORY 3, Andy (voiced by John Morris) is heading off to college, and his mom ( Laurie Metcalf) asks him to clean out his old stuff. To stay in the loop on more movies like this, you can sign up for weekly Note: The 3-D version of the movie may make certain parts feel more immediate/lifelike, but the movie's intense scenes have a strong impact no matter which version you see. But there are also wonderful, touching messages about friendship, loyalty, and imagination. There are also a few new toys that act a bit mean and creepy (particularly a Big Baby doll and a cymbal-clapping Monkey) and scenes in which favorite characters are trapped by cruel authority figures. Overall, the latest adventure shared by Woody ( Tom Hanks), Buzz Lightyear ( Tim Allen), and the rest of Andy's favorite toys is kid-friendly - but there's a fairly long scene of the toys in serious peril toward the end of the movie that many 3- to 5-year-olds could find quite upsetting. It still felt good, though.Parents need to know that while Toy Story 3 - the third movie in Pixar's flagship Toy Story franchise - is bound to please moviegoers of all ages, it is scarier and more intense than the first two (which is why we've rated this "threequel" at a higher age than Toy Storyand Toy Story 2). This time, I appreciated it just as much as a chance to wipe my eyes before I got out of my chair. In the past, I always looked forward to the post-credit goof scenes as something to laugh at on my way out of the theater. The film doesn't leave you on a down note, but it's a funny thing. It's a pretty heavy message to take away from watching a G-rated comedy. What can happen out there isn't very nice, but even in the face of extinction the film suggests a certain nobility through acceptance can be still possible. The toys know they'll be neglected, perhaps forever, if exiled to the attic, but prefer it to the unknown. It's a message of faith you relate to, yet it also brings out another point, the notion of change, even painful change, as needful. Set against this is Woody's firm if shaken resolution to "be there for Andy", even when it seems he and the other toys are no longer wanted by their owner. I think it was because the rest of the audience, like me, knew what was coming a sad story about cosmic indifference and cold-hearted abandonment which sets in motion the real emotional undertow of the film. One of the funniest scenes the first time I saw this movie three weeks ago, involving a cutaway to a clown staring at a window, got hardly a laugh when I saw it again tonight. All this is very funny, and director Lee Unkrich and the Pixar writers and artists find brilliant ways to keep humor close to the center of things throughout. "We do a lot of improv here," another toy tells him. Every now and again we break away to see Woody in his new situation, being played with by a girl named Bonnie who is very nice but has a left-field imagination. Potato Head (Don Rickles) puts it, "an accessory, a purse with legs." The daycare center is also fabulously realized, a cacophony of misfit toys all showing signs of wear from constant play. Ken must deal with wisecracks about being a girl's toy, or as Mr. We meet Ken (Michael Keaton), who introduces himself to Barbie saying "We were made for each other". This time the drama is stronger than ever, yet the film amazingly manages to stay refreshingly clever and hilarious. The second film pushed these buttons a bit harder, to the point of losing the humor. the fragile buddy system employed in the first "Toy Story", Sid's hapless victims, and talk of rummage sales. No owners means - no heartbreak!" It's odd to see a film series that started out as an animated lark turn into "Watership Down", but there's always been some existential angst at the heart of the enterprise, c.f. "You'll never be outgrown, or neglected," the toys are informed by the chuckily plush play bear Lots-O (Ned Beatty). It looks like the attic, but events conspire to throw them a day-care center called Sunnyside. It's the last week of summer before Andy heads off to college, and Woody (Tom Hanks) and the other remaining toys in Andy's bedroom find themselves in fear of what's to become of them. Is there Life after playtime? Can you handle a film in which the toys are playing with us, the audience? The third chapter of the Toy Story saga asks some tough questions of viewers, but the rewards of seeing this remarkable film outweigh the emotional toll.
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